Triskelion Productions’ catalog -led by titles like Clone Tech– is landing at Natpe Budapest 2024 full of creativity and with a vision to find their own place in the European market.
A creative team with powerful and innovative content ideas is the driving power behind Triskelion Productions in its bid to gain ground in markets outside the United States. With this goal in mind, Triskelion Productions is arriving at Natpe Budapest 2024 with plenty to show and great stories to tell, headed by titles such as Clone Tech, an animation that weaves scientific themes with a bit of mystery, for which they have high expectations due to the great potential that this title has for licensing.
“It’s a project with a lot of potential, especially on the licensing side. It’s a series that combines aspects of shows like Voltron with concepts from Umbrella Academy and The Imperfects, among others,” said Ric Acevedo, executive producer of Triskelion Productions, who is very optimistic about the outcome of this production and its possibilities for licensing in different markets.
Clone Tech is an animated series created by James Spadafore and Mary Jo Hanold. According to the company’s executive producer, this series’ unique feature is that it strongly messages the value of friendships, always with a scientific theme as the action background.
In addition to Clone Tech, the Triskelion Productions team is landing in Budapest determined to promote its fiction and docuseries, which have already had a successful run. They are also eager to build new partnerships in the market and make room for the growth they have been working on for some time.
This hard work has led to new titles being added to its catalog, with the company currently in pre-production on a couple of projects. “Rise of Kaiju, which we hope to be able to present, finance, and finish by mid-2025, including all the posts. Motor Valley, which is being developed more or less in tandem, but will be finished a little later, like late 2025 or early 2026,” Acevedo said.
Another upcoming catalog addition will be Shakespeare High, a brand with which they have very good projections. “The Shakespeare High project is in a good place. We have a strong script and pitch deck. The expectation is to get it to streaming and introduce it to the public,” said Acevedo.
The company has a solid track-record of producing innovative titles, like History of Fabulous, a unique project created by Alessandra Corrao, one of the three founders of Triskelion Productions. “Alessandra is a great source of ideas and we have a great team all-rpund,” shared Acevedo. “In the middle of the lockdown she presented the concept to me, I had never thought of it. Alessandra took charge of creating a unique look. Her ability for visual aesthetics sets her apart. We produced it in Los Angeles and now is in the hands of a good distributor and we have great expectations.”
